The initial stimulus for this painting started with the drawing of four shapes on which it then extended, in full view, a horizontal undulations movement, made of quadrangular shapes repetitions enclosed by ovals.
These drawings were made with a brush using a uniform blue, on which the chromatic contrast was subsequently accentuated using azure-blue tones for both the background and the inner part of the shapes which, like soft sinuous silhouettes, are highlighted with pinkish-orange colours.