The dating of 1930-1933 is supported by the stylistic elements and the known trajectory of Maier-Erding’s career, placing this work within a period of confident experimentation and emotional depth. It serves as a testament to his unique position within German post-expressionism and his ability to capture the vitality of everyday scenes. So the estimated dating of 1930-1933 aligns with Maier-Erding's late career, a period when he was known for focusing on landscapes and village scenes infused with bold expressionism.
The turbulent interwar period often influenced artists to turn to rural and domestic subjects as a counterpoint to societal unrest, celebrating stability and tradition. By 1930, his style had matured, showing a confident use of color contrasts and dynamic compositions. The use of impasto and vibrant, unblended colors suggests a work from the early 1930s when modernist aesthetics were flourishing.