Paolo AMBROSIO - Vento dalla CINA

Wind from China. The expressiveness of the sign is a mental landscape that is not given to everyone but that it must expose. Meaning is not hidden behind the sign but emerges from it.

-Ambrosio found himself in symbiosis with Roland Barthes' mine of ideas and ideas in (Carte-Segni, Roland Barthes, 1981, Electa). In fact, since 1970 Ambrosio's research has adopted the trial and error system which, after severe and controlled tests, where the thought can be accepted or not, leads to the realization of something inevitable. In IMAGE-ART The gesture-sign theorized by Roland Barthes is highlighted in Ambrosio's individual intuitions.
-IMAGE-ART is an artistic practice that has been using the eye's ability to play on the act of GESTURE since the 1970s. The Gesture ignites its resources and makes it possible to transpose all the hopes of desire within us.