In "We're Gonna Have a Real Good Time Together," Daniele Galliano finds a new pictorial dimension by staging the decadence of the power classes. Politics, finance, religion, in short, the pressure groups that occupy the world's greatest offices. People within parliaments who belong to a political party and simultaneously follow the instructions of an outside group, subordinating the vicissitudes of a legislative process to the pressure of those who can lose or gain power whether the norm favors them or not. For Galliano, each face personifies a lobby.